Fotoğraf ve kent belleği bağlamında Charles Marvılle Paris fotoğrafları üzerine
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Dosyalar
Tarih
December 30, 2021
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Malatya Turgut Özal Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Bellek geçmiş deneyimlerimizin ve anılarımızın yer aldığı bir arşiv gibidir. Bu arşiv geçmiş yaşantımızın canlı kanıtlarıdır. Fotoğraf ise geçmiş ve şimdi arasında iletişimi sağlayan bir tür hatırlatıcıdır. Bellek ve fotoğraf arasındaki ilişki saklama, biriktirme ve yeniden hatırlama gibi olgular üzerinde birleşir. İcat edildiğinden beri fotoğraf görsel algıyı derinlemesine etkilemiş ve zamanı anlamlandırma biçimimizi değiştirmiştir. Geçmişin kaydını tutma özelliği ile bellek gibi çalışan fotoğraf, unutulmaya yüz tutmuş anılara ışık tutarken, bilgisine sahip olmadığımız geçmiş olayların kayıtlarını da sunar. Bu anıların büyük bir bölümünü mekânlar oluşturmaktadır. Özellikle doğup büyüdüğümüz kentler birer hafıza mekânıdır. İçinde yaşayanların deneyimleriyle gelişen ve yaşayan bir organizmaya dönüşen kentin kimliği, içinde yaşayan insanların hafızalarından meydana gelmektedir. 19. yüzyılın ortalarında, böylesi bir kent olan Paris’te yaşayan Charles Marville, bugün yerinde olmayan birçok mekânı fotoğraflamıştır. Bu fotoğraflar, tam anlamıyla yıkılan ve yeniden inşa edilen bir şehrin tüm süreçlerine tanıklık eden Marville’in gözünden, bugüne bırakılan büyük bir görsel bellek olarak tarihte yerini almaktadır.
Memory is like an archive of our past experiences and memories. This archive is the living proof of our past life. Photography, on the other hand, is a kind of reminder that provides communication between the past and the present. The relationship between memory and photography converges on phenomena such as storage, accumulation and recollection. Since its invention, photography has deeply affected visual perception and changed the way we make sense of time. Working like a memory with its feature of keeping a record of the past, the photograph sheds light on the memories that are about to be forgotten, while also presenting the records of past events that we have no knowledge of. A large part of these memories are places. Especially the cities where we were born and raised are places of memory. The identity of the city, which develops with the experiences of its inhabitants and turns into a living organism, consists of the memories of the people living in it. The identity of the city, which develops with the experiences of its inhabitants and turns into a living organism, consists of the memories of the people living in it. Charles Marville, who lived in Paris, such a city in the middle of the 19th century, photographed many places that are not in place today. These photographs take their place in history as a great visual memory left today through the eyes of Maeville, who witnessed all the processes of a city that was completely destroyed and rebuilt.
Memory is like an archive of our past experiences and memories. This archive is the living proof of our past life. Photography, on the other hand, is a kind of reminder that provides communication between the past and the present. The relationship between memory and photography converges on phenomena such as storage, accumulation and recollection. Since its invention, photography has deeply affected visual perception and changed the way we make sense of time. Working like a memory with its feature of keeping a record of the past, the photograph sheds light on the memories that are about to be forgotten, while also presenting the records of past events that we have no knowledge of. A large part of these memories are places. Especially the cities where we were born and raised are places of memory. The identity of the city, which develops with the experiences of its inhabitants and turns into a living organism, consists of the memories of the people living in it. The identity of the city, which develops with the experiences of its inhabitants and turns into a living organism, consists of the memories of the people living in it. Charles Marville, who lived in Paris, such a city in the middle of the 19th century, photographed many places that are not in place today. These photographs take their place in history as a great visual memory left today through the eyes of Maeville, who witnessed all the processes of a city that was completely destroyed and rebuilt.
Açıklama
Anahtar Kelimeler
Fotoğraf, Bellek, Kent Belleği, Charles Marville, Paris, Photograph, Memory, Urban Memory, Charles Marville, Paris
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
1
Sayı
1
Künye
ÖZCAN, Ç. D. FOTOĞRAF VE KENT BELLEĞİ BAĞLAMINDA CHARLES MARVILLE PARİS FOTOĞRAFLARI ÜZERİNE. İnsanat Sanat Tasarım ve Mimarlık Araştırmaları Dergisi, 1(1), 17-38.
